Hold On

There is a human propensity

to grasp and hold tight to things,

to tether ourselves to what we love,

especially in relationships.

This urge to claim, to own,

transforms love into possession.

“It is mine. I own it.”

But in doing so,

the beloved becomes an object,

the soul of them diminished,

boxed into a shape

that can no longer move or breathe.

And yet, the grip tightens,

for the fear of losing them

looms larger than love itself.

The Woman Who Has My Heart

I think of her—

the woman who has my heart.

What drew me to her

was not her form, though beautiful,

nor her words, though wise,

but something altogether ineffable.

It was the smoke rising

from the fire of my passion—

formless, forever changing,

beautiful, and free.

She was magic—

the kind that cannot

be labeled or contained.

To try would be to destroy her.

The Fear

But fear crept in,

as it always does.

Fear that she would leave.

Fear that another would take her from me,

as a thief robs a bank.

I had no say in this.

I could only stand by,

vulnerable, exposed,

the connection between us

fragile as glass.

And so I clung to what I could:

The fear itself.

It was corporeal,

something I could hold tight,

lock away, own.

And in doing so,

I pushed out the magic,

the beauty that had first captured me.

The very act of grasping

extinguished the fire.

The Mirror in Painting

In painting, too,

I see this mirrored.

The temptation to push an image

over its message,

to fixate on the visual beauty

rather than the feeling it evokes,

is strong.

A painting begins as something

ethereal, wild, free—

like love,

it cannot be boxed in

without losing its soul.

And yet,

the fear of losing the image,

of losing the magic, creeps in.

It demands control.

And in that control,

the painting’s spirit fades.

Letting Go

To hold too tightly

is to kill what we love.

Whether it is the soft breath

of a relationship,

or the fleeting spark of a painting,

the challenge is the same:

To let it be wild,

changing, and free.

To love without owning.

To paint without fixing.

For beauty and magic

exist only in the untamed,

the intangible,

the ever-changing.

And it is only in letting go

that we can truly keep

what we cherish